Jessica Fordham
in fatigues, left fist on table and eyebrows raised at maximum: 'Question. How
possible?'
Mathias Pyne,
seated opposite in deep-blue suit with fingers meshed atop stomach: 'I am a
busy man. Really, a member of the department -'
'I know where
you keep the thylacines, government man.'
'In this
downturn, we have less need for keyboard warriors.'
Pissed off: 'I
am on the front lines of Australia's cyber defence.'
'In this
downturn, we have less -'
'What department
are you minister for?'
'Oh. Shit.
Thought you guys were a joke.'
'Many of our
stakeholders maintain that position.'
Frown downcast,
Jessica cleans her work desk: photograph of wider family, 5x4 Rubik's cube, potted
peyote cluster, nerf-replica Boneduster and taxidermied werewolf head. As she
drives home, however, cresting over onto main roads relatively empty at two in
the afternoon, Jessica feels something like liberation: she has come into some
free time. Old challenges raise their heads. She is determined when she gets
home and, as soon as she is through the door, confronts the television with a Phoenix
Wright pose:
'Machine! Yours
secrets are mine!'
(Soooo, Jessica
had one of those Christian homeschool
upbringings where television is banned but a computer, supervised by
technologically less-literate parents, is allowed. This is how Jessica learned
to code, crack, hack and troll. This is also why the television, which came
bolted to the wall with the rental property, taunts Jessica with her lack, her
failing, a blindside in her cultural education - but no more.)
Six days later
and Jessica has made notes:
·
Expected king-of-the-mountain
version of 'game show'. Instead got kinky porno overconfident on plot.
·
Why do I want
funeral insurance?
·
How do
pawnbrokers survive if they don't make sales or have loans repaid?
·
Fast food adds always
target when hungry. How do I block cookies from my digestive tract?
·
Frankie Drake
Mysteries is just Murdoch Mysteries with slappers. I could do that.
So that is what
Jessica sets out to do: remake every live-action television show, with
slappers. She does this with augmented-reality glasses. A modified
facial-and-body tracking program detects all characters on the television
screen. A slapper overlays the character on the glasses' display, work done by
an artificial intelligence that Jessica trains - training A.I. is, was, her job
with the defence force. 'Give a man a
fish and you feed him for a day; teach a machine to fish and behold the blue
revolution. Or ocean-wide extinction. One of the two.' A similar process is
done with the audio. Once completed, the Frankie Drake Protocol Glasses open a
new frontier of television:
·
Generation
Slapper, in which a Rolling Stone
slapper is embedded with a battalion of slappers during the 2003 invasion of
Iraq.
·
The Slapper, in which 14 slappers must compete for
the heart of a slapper.
·
Zrrhlfm, best describe as Elfin Lied as animated by SEK Studio and directed
by Jean-Luc Goddard. The algorithm does not work as intended with the raw data
that is Frasier.
The construction
of the Frankie Drake Protocol Glasses was not as simple as this sounds and also
required significant funding for components. Jessica therefore contacted Erin,
a friend through work who, not to objectify, has a slender black tail sprouting
from beneath the waist line of jeans that really suit her ass. It was Erin who
suggested that the Frankie Drake Protocol be materialised as glasses as opposed
to a supplementary television box:
'If you're at
the movies but your date reads the wrong critics, or you're visiting the folks
and they're watching Bargain Hunt, you can activate the glasses and secretly
watch something better and still seem polite.'
Jessica, unsure:
'Sounds like more work.'
'And I will
grant you a larger Angel Investment.' A moment for Erin to read Jessica's
smirk. 'Demon Investment, whatever.'
'Tacks of
brass?'
'Once completed,
you can use it for three months. Then it's mine. I'll sell it for booze.'
'That suits. I
just really want it out there, so that someone can share my vision.'
'You are the
most kind hearted troll I've met.'
'I should be
insulted, suspecting that you know actual trolls of the mountain variety.'
In Jessica's
tone: like some of your exes.
Erin plays
mock-exasperated: 'I don't mean like
that. You know, John asked after you, other week.'
'Your cousin?'
Demur. 'He's sweet. But a meteorologist.'
The aforementioned
deals take place and Erin ends up with the Frankie Drake Protocol Glasses. (If
plot holes or other confusions are apparent, please leave a note in the
disabled comments section. And, pre-emptively, everyone knows that Frankie
Drake Mysteries and Murdoch Mysteries exist in the same fictional universe.) With
corded headphones in ears, Erin bops in the darkness beneath gum trees, behind
a safety barrier. Her eyes are on the blue, black, grey or red blips intermittent
at roughly three seconds, beneath the saturating light that hyper-reals the six
lane freeway. For verisimilitude:
She does not look both ways. Erin thrusts headphones into pockets and vaults barrier with a 'Go go Power Ranguuurs'. She sprints. One lane. Two lanes. A whizz past her back, Doppler-effect horn. Three lanes. Toppling head first over barrier onto median strip, onto arms and rolling smooth onto feet.
Hurdling the
next barrier. Four lanes. A gun-metal-blue blur past her front and she
flinches, pivots with arms outstretched. Screech. Whop.
Erin rolls twice
and lands fifteen metres from the collision point. The ute's hazard lights are
blinking, bonnet dented and windscreen cracked, so Ryan pokes
head out the window:
'Shit. You all
right?'
Erin stands and
arches backwards: 'Owwww. Yeah, yeah I'll live.'
Wiggling
eyebrows: 'Good thing I was only doing ninety.'
Erin lobs Ryan a
ball of money and limps off: 'Let's not get insurance involved.'
'Sure thing. Say
-'
She glares over
shoulder.
'- you want to
grab a drink sometime?'
She shakes head
and returns headphones to ears: 'Fuck off, cunt. You have the tact of CUTIFILM
Protective Waterproof Film.'
They part ways.
Erin limps to and steps over the freeway barrier. She grips the top of a steel
fence, 'Nooo ooone, will ever take them down', one, two and she scrambles over.
She lands in a four by five metre backyard with a lawn that could do with a
trim. Light slips beneath the door of a self-contained granny flat.
Inside: a red
velvet couch, Ghost Buster's pinball machine, four backless wooden stools accommodated
at a high bar. In the room's top back-right corner, a blue-and-yellow macaw is
perched atop a double-barrel shotgun that slowly pivots, hanging from ceiling
by two ropes, to stare Erin down.
Behind the bar,
a woman cloth-dries a beer glass: 'Who has passed the trial of Mamta McDougal?'
'I have never
seen anyone here use a glass.' Erin complains. 'You don't have taps.'
Mamta shrugs and
releases her smile.
Erin takes a
stool: 'And yes, I crossed the freeway. Not without complications.'
Erin's eyes
widen and she hurriedly pats her coat pockets.
Mamta: 'I only
serve trusted clientele. Crossing the freeway - its illegal. I trust that.'
Erin places the
undamaged Frankie Drake Protocol Glasses on the bar: 'Thank fuck. The thing I
told you about.'
Mamta, what can I get you? 'Patupaiarehe Frappato
2012?' Taking bottle from beneath bar. 'Tasting notes. Pomegranate, sweet
strawberry, slutroot -'
'Who's tasted slutroot?
Maybe something older.'
'Smell is ninety percent of taste.' Swapping bottle. 'How about the kumis
of Karakorum's Fountain? A favourite of Möngke Khan.'
'Horse milk? Take those curds away.'
'Six pack of Dirty Granny?'
'Now we're talking. But I reckon you can do better.'
Mamta responds to the goad with a puckered smile and dark challenge in
her eyes: 'They say it was Adam and Eve, not Adam and Steve, and look where
that got us. Original Sin. In hindsight, Steve couldn't do any worse.
Perhaps the Powers That Be knew something of this and, hypothetically
speaking, ran an Adam and Steve parallel to the Adam and Eve. Now,
statistically speaking, both Adam and Steve were straight because, not to
stereotype the gays, but there's less of them. That's why they're a minority.
Now, Adam and Steve lived in Paradise with plants and beasts plenty to
feed them, and free of all pain. And so, with no knowledge of constipation,
they had no need for fibre in their diets and thusly only ate barbecue.
When Adam said "Hey brah, you know that tree that the Big Guy said
we couldn't partake of? You wanna partake of it?"
Steve said "Eat fruit? Gaaaaay.
You know who eats fruit? Fruits."
And they laughed. "Ha ha ha ha ha."
And the Devil came in the form of a serpent to Steve and said
"You're just too pussy to partake of the fruit of good and evil."
But Steve said to the Devil "What are you? I haven't barbecued you
before."
And so that happened. Adam and Steve eventually figured out fermentation
and just invented aaallll the booze and yeah, fermented the forbidden fruit.
But it needed to cellar for six months, by which time they found a microbrewery
with beer pong down the street.'
Erin leans on bar: 'Original Sin in a Bottle. Applejack? Fig gin? Tomato
wine?'
Tight-lipped smug: 'Adam and Eve, Adam and Steve or Adam and Eve and
Steve?'
'The one I'm buying.'
'Oh. Perry cider.'
'Fuck off get me two bottles.'
Oh, and at some point, over a boozy dinner, Adam said to Steve: 'Brah,
brah, real talk - I am so glad the Big Guy, like, you are my favourite rib. I
mean it.'
And Steve said: 'Duuude, that's what we should have next. Riiiibs.'
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